![]() The rhetoric of these films argued for an antiwar stance that questioned the wartime experience.įor No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time. This process reached its peak during the Pre-Code Era of the early 1930s when the initially prevailing narrative would be briefly supplanted by an entirely new approach that questioned the premises of wartime service. Provided to YouTube by Ghostlight RecordsNo Reason at All Carrie ManolakosThirteen Stories Down: The Songs Of Jonathan Reid Gealt 2010 Sh-K-Boom RecordsVo. For no reason at all the two men started to laugh. The guards, he said, would punch them for no reason. ![]() Filmmakers created works that promoted their own ideas about the depiction of wartime service - ideas that frequently conflicted with established, heroic tropes for the portrayal of warfare on film.įilmmakers spent years modifying existing standards and working through storytelling options before achieving a consensus regarding the fitting method for rendering war on screen. If you say that something happened or was done for no reason, for no good reason, or for no reason at all, you mean that there was no obvious reason why it happened or was done. ![]() During these years popular film culture in the US created new ways of addressing the impact of the war on individuals and society. The years following the signing of the Armistice saw a transformation of attitudes regarding military conflict as America attempted to digest the First World War.
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